{"id":448,"date":"2012-03-21T16:18:42","date_gmt":"2012-03-21T16:18:42","guid":{"rendered":"http:\/\/groovyacousticsoul.com\/beta2\/?page_id=448"},"modified":"2012-03-23T04:28:26","modified_gmt":"2012-03-23T04:28:26","slug":"68-and-clear","status":"publish","type":"page","link":"https:\/\/groovyacousticsoul.com\/beta2\/scores\/drama\/68-and-clear\/","title":{"rendered":"68\u02da and Clear"},"content":{"rendered":"

\"\"<\/a>An eleven-year-old African-American mugger saves the life of a 40-something suicidal white widow. Just another day in Los Angeles, where it is always 68 degrees and clear. <\/em>(IMDb)<\/p>\n

68\u02da and Clear<\/a><\/em>\u00a0uses my songs “Democracy at the Point of a Gun” and “I See Everything.” The inspiration for the title came from my song, “Good Day in L.A.,” but as the project developed, the song didn’t ultimately fit.<\/p>\n

The collaboration originated from friendships developed at Clippers basketball games in the early ’00s. The director, Dawn Westlake, was a season ticket holder, as was my sister. The boy star of the film sat behind Dawn with his mother at the games. My sister and I sat behind dancing Clipper Darrell, so we were always on the jumbotron during his antics. To make long story short, Dawn spotted me at a film festival in the off-season and we began working together shortly after that.<\/p>\n\n

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